Music in honor of St. Patrick

revised IRISH TUNES coverThroughout March, Hilton is playing music during the service exclusively from the rich tradition of Irish folk songs. If you click on the arrow in the player below, you can hear 15 of the pieces he’s playing this month. This streaming music is for free and with no need to download anything.

Here’s a list on the songs in this playlist:

  1. Sally Gardens
  2. Red Haired Boy
  3. Carrickfergus
  4. The Maid That Sold Her Barley
  5. Raglan Road
  6. Spancil Hill
  7. Come To The Hills
  8. My Love Is A Band Boy
  9. The Meeting Of The Waters
  10. The Durham Rangers
  11. Slievenamon
  12. St Anne’s Reel
  13. The Wild Rover
  14. 4 Jigs
  15. Wexford Carol

On Liberty and Slavery (audio & text)

George Moses HortonOn March 1st, 2020, the choir of Lakewood UCC performed a new anthem composed by the church’s music director, Hilton Kean Jones with Jones on piano and Jan Trebesch on organ. The anthem is a setting of the text, On Liberty and Slavery, by George Moses Horton who was an African-American poet from North Carolina, the first to be published in the Southern United States. His book was published in 1828 while he was still enslaved. He did not gain freedom until 1865, late during the Civil War. — Wikipedia He was born in Northampton County, North Carolina, NC. He died in 1883, was educated at University of North Carolina at Chapel Hill, and published these books: Naked genius, The Black bard of North Carolina.

Click on the arrow in the player below to listen to anthem for free and with no download.

Here is a link to the text of Rev. Wells’ sermon the day this anthem was first performed: https://lakewooducc.org/2020/03/05/sermon-3-1-on-liberty-and-slavery.

Here is the text of the poem by George Moses Horton, that is set by the anthem.

On Liberty and Slavery

by George Moses Horton
Alas! and am I born for this,
To wear this slavish chain?
Deprived of all created bliss,
Through hardship, toil and pain!

How long have I in bondage lain,
And languished to be free!
Alas! and must I still complain—
Deprived of liberty.

Oh, Heaven! and is there no relief
This side the silent grave—
To soothe the pain—to quell the grief
And anguish of a slave?

Come Liberty, thou cheerful sound,
Roll through my ravished ears!
Come, let my grief in joys be drowned,
And drive away my fears.

Say unto foul oppression, Cease:
Ye tyrants rage no more,
And let the joyful trump of peace,
Now bid the vassal soar.

Soar on the pinions of that dove
Which long has cooed for thee,
And breathed her notes from Afric’s grove,
The sound of Liberty.

Oh, Liberty! thou golden prize,
So often sought by blood—
We crave thy sacred sun to rise,
The gift of nature’s God!

Bid Slavery hide her haggard face,
And barbarism fly:
I scorn to see the sad disgrace
In which enslaved I lie.

Dear Liberty! upon thy breast,
I languish to respire;
And like the Swan unto her nest,
I’d like to thy smiles retire.

Oh, blest asylum—heavenly balm!
Unto thy boughs I flee—
And in thy shades the storm shall calm,
With songs of Liberty!

Source: The Longman Anthology of Poetry (Pearson, 2006)

George Moses Horton
1798–1883

Born a slave on William Horton’s tobacco plantation, George Moses Horton taught himself to read. Around 1815 he began composing poems in his head, saying them aloud and “selling” them to an increasingly large crowd of buyers at the weekly Chapel Hill farmers market. Students at the nearby University of North Carolina bought his love poems and lent him books. As his fame spread, he gained the attention of Caroline Lee Whiting Hentz, a novelist and professor’s wife who transcribed his poetry and helped publish it in her hometown newspaper. With her assistance, Horton published his first collection of poetry, The Hope of Liberty (1829), becoming the first African American man to publish a book in the South—and one of the first to publicly protest his slavery in poetry.

Horton hoped to earn enough money from the publication of his book to buy his freedom, but his attempts were denied despite significant support from members of the public, including the governor.

He learned to write in 1832. In the early 1830s, with a weekly income from his poems of at least $3, Horton arranged to purchase his time from his owner, and became a full-time poet, handyman, and servant at the university. He continued to buy his own time for more than 30 years while publishing a second collection of poetry, The Poetical Works (1845), and continuing to appeal for his freedom.

After the Civil War, Horton traveled with the 9th Michigan Cavalry Volunteers throughout North Carolina. During those travels, he composed the poems that make up his third collection, Naked Genius (1865), published in Raleigh. After 68 years as a slave, he settled in Philadelphia for at least 17 years of freedom before his death, circa 1883.

His legacy is celebrated by the residents of Chatham County: he is the namesake of Horton Middle School, June 28 was declared George Moses Horton Day in 1978, and in 1997 he was declared the Historic Poet Laureate of Chatham County. Horton’s poetry is featured in the Norton Anthology of African American Literature, and in 1996 he was inducted into the North Carolina Literary Hall of Fame. A selection of his poems appears in The Black Bard of North Carolina: George Moses Horton and His Poetry (1997, ed. Joan R. Sherman).

Horton’s poetry displays a keen ear for rhythm and rhyme and a circumspect understanding of human nature. His poetry explores faith, love, and slavery while celebrating the rural beauty of Chatham County, home of the plantation on which Horton spent much of his life.

A historic marker stands near where Horton’s plantation was located.

Source: https://www.poetryfoundation.org/poets/george-moses-horton

Reminder: Rebecca Zapen & Jeremy Douglass

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About: LUCC Concert Series invite Old Time, Blues, Blue Grass, Folk and Country musicians, emerging and obscure in spirit to celebrate and promote Americana music and musicians from all over the United States.

All concerts at Lakewood United Church of Christ (LUCC) is $20 suggested donation at the door. All proceeds benefit the musicians. Doors open at 6:30PM, show at 7PM.

Lakewood United Church of Christ Concert Series
http://lakewooducc.org
Lakewood United Church of Christ Concert Series
Lakewood United Church of Christ
2601 54th Ave. S. St. Petersburg, FL 33712

Contact: Yoko Nogami
nogamiyoko@gmail.com
727-687-6742

5/31: Rebecca Zapen & Jeremy Douglass
http://www.zapen.com

A third-generation musician in a family tree including players of violin, piano, double bass, guitar, and accordion, Rebecca Zapen has developed into a versatile performer: jazz crooner, classically-trained violinist, and award-winning multi-instrumentalist songwriter. Her formal violin studies began at age 3, and singing always came naturally. She graduated Phi Beta Kappa and Magna Cum Laude from Florida State University, with degrees in Music and Biology. It was during her years at FSU that she fell in love with jazz and bossa nova. Past appearances include Jacksonville Jazz Festival, Clearwater Jazz Holiday, and Florida Folk Festival. Zapen has been a musical guest on Public Radio International show Michael Feldman’s Whad’Ya Know?, as well as being a featured soloist with the Hollywood Philharmonic Orchestra.

The versatile vocalist and violinist has released 4 albums. Award-winning albums Nest and Japanese Bathhouse feature her eclectic folk-pop songwriting; Hummingbird and ZapStar feature jazz standards and bossa nova, as well as several original compositions. Awards and accolades include: Florida Album of the Year 2011 forNest, which debuted at #12 on the Folk DJ charts; Jacksonville’s Musician of the Year 2008; and Best Cabaret Album & Best Cabaret Song in Just Plain Folks Awards 2009 for Japanese Bathhouse. Zapen’s original songs appeared in a national promotion for Crocs Shoes. She placed 2nd in the Bushman World Ukulele Video Contest, and she was a Finalist in the 2007 DiscMakers’ Independent Music World Series. My Old Kentucky Blog says of Zapen’s newest release Nest: “There’s a sense of arcane, jazzy pop; fifties romanticism, classical music, and Yiddish and other folk traditions; a bowl of ingredients from which Zapen intuitively ladles the right elements for her evocative compositions…Nest is something of a miracle.”

An award-winning composer, she earned the Silver Medal of Excellence for Best Use of Music in a Short Film at the 2008 Park City Film Music Festival. Her original songs appear in Look Both Ways, which won for Best Music in the 2009 San Francisco Seven Day Film Festival. Her music has been featured on NPR’s All Songs Considered: Open Mic. In addition to performing extensively in Florida and touring throughout the United States, playing at venues such as The Bitter End (NYC), Genghis Cohen (L.A.), and Katerina’s (Chicago), she has also delighted audiences abroad at venues such as Les Temps Modernes (Switzerland), Le Caveau des Oubliettes (France), and Paganini Auditorium (Italy).
A native of Jacksonville, Florida, she now calls St. Petersburg home, where she lives with her husband, pianist and recording engineer Jeremy Douglass, and their little boy.

Have This Love

 

Have_This_Love_thumb-231x300Yesterday, Rev. Wells’ sermon was The Love Laboratory. In keeping with that theme, the choir did an anthem of mine. The words are below.

HAVE THIS LOVE

scriptural reference 1 Peter 2-3
scriptural paraphrase by Hilton Kean Jones

CHORUS
Have a tender heart, a humble mind,
sympathy, unity of spirit.
Have this live: love for one another.
Have this love. Have this love.

VERSE 1
Do not fear what others fear.
In your heart, rest within God’s love.
Once you were without a home.
Now you live, live within God’s love.

CHORUS
Have a tender heart…

VERSE 2
Come to Christ, the living stone,
such a jewel, precious to our hearts.
Rid yourselves, of all malice,
and all guile, envy and all slander.

CHORUS
Have a tender heart…

BRIDGE
God called you out of darkness
into the light of living love.
Though if you suffer wrong
for doing what is right,
you are loved, you are loved.

CHORUS
Have a tender heart…

scriptural paraphrase © Copyright by Hilton Kean Jones